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the
alley |
Art
is often considered a luxury.
It can be fairly expensive.
It sometimes
feels lofty
and vague. It seems a
privilege reserved
for those with
talent.
But there is no
denying that art is
powerful. Through visual art and
poetry, may you be
inspired, moved, challenged,
and refreshed.
Let us bring that luxurious, expensive, lofty,
vague, talented, powerful
stuff to you…
the stuff we find even
in the rawest of places.
Welcome
to the alley. |

Based in San Diego, the
AjA Project works with 45 local, refugee youth, ages 10 to
16, originally come from Afghanistan, Iraq, Colombia, Somalia and Sudan.
The works provide opportunities for cross-cultural educational exchanges
and a forum for community-wide discussions about the immigrant
experience and racial justice in post-September 11th America.
photo by michael
vanderwarker |
| fragments
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wet
paint
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The AjA Projects wraps up
Intersections
While journalists around the world are trying to tell the stories of
refugees, the AjA Project is busy putting cameras in the hands of
refugee children so that they can tell their own stories. |
column:
fresh impressions from art director
nigel brookes, connecting how
prisoners approach art. If you like Foucault, The Matrix,
and art, read on. |
| poetry |
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for further reading:
Trounstine, Jean. Shakespeare Behind Bars: The Power of Drama in a
Women’s Prison (New York: St. Martin’s Press, 2001.)
Tannenbaum, Judith.
Disguised as a
Poem: My Years Teaching Poetry at San Quentin, by poet and writing
instructor (Northeastern University Press, 2000.) |
Disguised as a poem
by elmo chattman, jr. |
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